| Class
Session #6 - Guideline to Print |
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Guideline
to Print
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| Parts
of a Print Ad |
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There are
three basic parts to a print ad and several sub parts. They
are:
- Illustration
- Headline
- Copy
- Other parts
- insert
illustration
- subhead
- captions
- logo
- tag line
or lead out.
In a print
ad the reader's eye will read as we have learned to read:
left to right, top to bottom from wherever we start.
In a print
layout the reader's eye will see:
- 1st
- the Illustration (you have 1-3 seconds of attention)
- 2nd
- Headline, 5 times more reader's than the copy (1-5 seconds)
- 3rd
- Copy, nine of ten people seeing the ad won't read it.
The headline
and illistration work together to get interest and deliver the
main points of the ad.If interest is generated they will lead
to the reading of the copy. If they don't work to generate interest
then zero percent read the copy.
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| Steps
to Planning for a Print Ad Layout: |
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As you prepare to create your ad layout you should start with your
copy. The headline and the illustration will evolve from the copy
planning. Writing copy is known as copywriting, not to confused
with a legal copyright.
As always, consider your market audience, business (client) objectives
and the stage in the development and life of the product, service,
store or brand that you are preparing to advertise. The basic process
is:
- Write a Copy Platform
- aka copy plan,copy policy, copy outline
- a situation analysis (for a printable Word
document click here)
- Develop a Concept - what information to use and how to
implement the objectives
- Identify
audience you want to target
- Set clear
and attainable objectives
- List
the information you want conveyed.
- Choose an Approach - inform, persuade, entertain, motivate,
affect behavior, etc. You may do several of these in your approach.
- Tone - factual, emotional, fear, humor, sex, etc.
- Style
- dramatize, story, "slice of life", demonstration,
presentation of benefits, testimonials, expert opinion,
etc.
- Write and Create the Ad -
Creative - message, tone, headline, illustration, copy, etc.
(for a printable Word document of a Creative
Strategy Worksheet click
here)
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| Guidelines
for a Print Ad Layout |
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The following guidelines will improve readership and increase the
likelihood of moving the reader from information and attitude formation
to purchase behavior.
General Guidlines
to Page Layout
- Have
a Dominant element (focus) on the page
- "Z"
factor for eye tracking
- Eye
Weight
- Balance
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Illustration
- if possible, show the product in use
- or show
the benefits of the product or results of use
- Show salient
product features or the product itself
- if you can't
feature the product or salient feature, use babies, animals,
hands & feet to get attention
- sex, fear, & humor
will get attention but may compete with the message
- bigger-than-life
faces repel
- it should
arouse curiosity and have story appeal relevant to the target
audience
- visually simple and clear of clutter with proper contrast to
surroundings
- create a visual scandal
- flag down the target audience
- use characters from television if you are using television as
well
- with the
a gender related product or benefit, men identify with men & women
with women
Headline
- if placed below or in the illustration, readership will increase
10%
- promise a benefit
- flag the target audience
- if newsy
to the target audience or a question that is answered for that
audience, readership increases by 22%
- use your brand name here (5 x more readers than copy)
- should be ten words long or less
- quotes around the headline increase readership 28%
- No ending punctuation ...
- ALL CAPITALS IN A HEADLINE WILL RETARD READING
- avoid tricky headlines, puns (use a pun, go to jail), bragging,
analogies
Copy
- short sentences and paragraphs
- spacing between paragraphs, increases readership 12%
- use editorial style of puiblication: column width, typeface,
readership will increase 6 times
- use margin marks (bullets, asterisks, numbering) bold or underlining
to highlight point
- answer the questions an interested person would have
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Type & Color
When Reading Type...
Readability - In print we recommend
serif (Times
New Roman) for lots of text. This
is Readability: how easy it is to read a lot of text.
Legibility - We are also concerned
with Legibility: how easy it is to recognize short bursts
of text (headlines, buttons, etc.) and recommend san-serif typefaces
(Arial
or Verdana).
In print, the rule of thumb is serif for text
and san serif for headlines.

Typography
- Main Font
- Heading Font
- Sub Heading Font
- Highlight Fonts
- Bold
- Italics
- Contrast (typeface color on background color)
- Readability (easy to read a lot of text)
vs. Legibility (easy to read short bursts of text)
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| Type
Suggestions for readability & legibility |
Readability - lots of text
- use
serif type faces
- 10-14 point types
- use short lines of text; constrict bodies of text in
column formats
- use proper contrast between type and background color
(no
red type on bright yellow background ; no
gray
type on black background)
- Avoid large amounts of text in all caps, bold, italic
formal script, etc.
- adequate ascenders and descenders,
Legibility - bursts of text
- san serif typefaces
- avoid mixed lower/upper case (Antique Olive; Hobo; Peignot)
- Avoid type set in all caps (we recognize shapes when
reading, i.e.
- cat dog (different shapes)
vs.
- Aoccdrnig to rscheearch at Cmabrigde Uinervtisy, it
deosn't mttaer in waht oredr the ltteers in a wrod are,
the
olny iprmoetnt tihng is taht the frist and lsat ltteer
be at the rghit pclae. The rset can be a total mses and
you
can sitll raed it wouthit a porbelm. Tihs is bcuseae the
huamn mnid deos not raed ervey lteter by istlef, but the
wrod as a wlohe. Amzanig, huh?
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Color (Chroma) Scheme
- Background Color
- Main Text Color
- Background Color
- Heading & Sub
Heading Text Color
- Highlight Text Color
- CYMK or print color which is subtractive through light blocking
(not Indexed Color (256 RGB color, browser safe)
from additive color, like a monitor with light shining through
RGB)
| Using
Color |
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Hue - a specific spot on a color spectrum (no
black or white mixed in)
Tint - Hue + white
Shade - Hue + black
Tone - Hue + gray
Intensity or Value - how light or dark the hue
Contrast - degree of separation between values
Note: Color
should add power to a design. The design should begin in
black and white and hold up without color.
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